372 Union Avenue, Brooklyn, NY 11211
718.387.0879 | marcjerome@earthlink.net
www.marcjerome.com
Born: 1957, Lewiston, ME.
| 2003 | Breakwater Gallery, Provincetown, MA |
| 2002-2003 | Julie Heller Gallery, Provincetown, MA |
| 2000-2003 | Annual Print Review, Art Students League, New York, NY |
| 1999-2003 | Open Your Heart, Bailey House Benefit Auction, New York, NY |
| 2001 | New York, a One-Man Show, Our Lady of Perpetual Health, Brooklyn, NY |
| 1998 | Seeing Money, The Rotunda Gallery, Brooklyn, NY |
| Skowhegan at Fifty, the Maine Legacy, Maine College of Art, Portland, ME | |
| 1997 | Recent Paintings, a One-Man Show, Gallery XVI, New York, NY |
| Recent Paintings and Drawings, a One-Man Show, The Bar Gallery, New York, NY | |
| 1993 | Hobe Sound North Gallery, Portland, ME |
| Wenniger Graphics Gallery, Provincetown, MA | |
| 1992 | Refiguring the Form, 101 Wooster Gallery, New York, NY |
| Body Double, La Mama Gallery, New York, NY | |
| 1991 | Fracture, Marymount Manhattan Gallery, New York, NY |
| Made in Maine, University of Southern Maine, Portland, ME | |
| 1990 | Figure in the Landscape, a One-Man Show, Center Gallery, Gotham, ME |
| 1998-2002 | Syracuse University Graduate Scholarship |
| 1981 | Marguerite Zorach Memorial Scholarship in Painting, Skowhegan School of Painting and Sculpture |
| 1980 | Magna Cum Laude, University of Southern Maine |
| 1979 | National Association of Schools of Art |
| Purchase Award NASAD Drawing Exhibition |
| "Maine Art Now," Edgar Allen Beem, Preface by Arthur C. Danto, The Dog Ear Press, 1990 |
| "Neo Native Maine Art," by Edgar Allen Beem, The Maine Times, Vol. 19 #41, July 17, 1987 |
| "Made in Maine: A Native Approach to Art," The Portland Herald, 1987 |
| 1983 | MFA, Syracuse University, Syracuse, NY |
| 1981 | Skowhegan School of Painting and Sculture, Skowhegan, ME |
| 1980 | BFA, University of Southern Maine, Portland, ME |
| 1979 | Whitelands College, Roehampton Institute, London, England |
Alphabet City #8
2000
Ink on Paper 20"x30"
Private Collection
ARTIST STATEMENT
The challenge to interpret and describe one's life through the medium of oil painting is still vital for me as an artist today. I create oils on canvas, graphic works on paper, etchings and collages that express a personal iconography through experimental techniques. Art for me has always been fraught with a real sense of discovery. Each time I begin a work the aspect of the unknown is what I must explore.
